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But for what purpose? And who is behind this untimely invasion?įANTASTIC FOUR: FULL CIRCLE is the first graphic novel that Marvel has licensed to another publisher in more than 40 years. These carrion creatures composed of Negative Energy come to Earth using a human host as a delivery system. When an intruder suddenly appears inside the Baxter Building, the Fantastic Four- Mister Fantastic (Reed Richards), the Invisible Woman (Susan Storm Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm)-find themselves surrounded by a swarm of invading parasites. It’s a rainy night in Manhattan, and not a creature is stirring except for. “In Fantastic Four: Full Circle, Alex revisits a classic Stan Lee–Jack Kirby comic from the 1960s and introduces the storyline for a new generation of readers.” “Alex and I have been working together for close to 30 years, when I was an editor at DC Comics and hired him to paint his very first book cover back in 1993, before Marvels was published,” says Kochman.
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“I’m excited to share this work with everyone, as it unites the two great publishing forces of Marvel and Abrams ComicArts in a bold new collaboration.” “This is the Fantastic Four story I have been wanting to tell for years, and visually it is one of the greatest artistic experiments I have attempted,” says Alex Ross. FANTASTIC FOUR: FULL CIRCLE was acquired and will be edited by Ross’s longtime editor Charles Kochman, editorial director of Abrams ComicArts, alongside Marvel VP of Publishing, executive editor Tom Brevoort. The book’s large format breaks from the standard graphic novel size to showcase Ross’s art, mirroring the format of the Marvel Graphic Novel, a line of books from the 1980s, and includes a full-color foldout poster featuring an all-new fully painted origin of the Fantastic Four. $24.99 Hardcover), the first graphic novel written and illustrated by renowned comic artist Alex Ross in his thirty-plus-year career. New York, New York – December 13, 2021 – Abrams ComicArts announces and reveals the cover of the August 2, 2022, publication of FANTASTIC FOUR: FULL CIRCLE (Abrams ComicArts AugU.S. “In Fantastic Four: Full Circle, Alex revisits a classic Stan Lee–Jack Kirby comic from the 1960s and introduces the storyline for a new generation of readers.”įor more on this news, read the official press release below. “Alex and I have been working together for close to 30 years, when I was an editor at DC Comics and hired him to paint his very first book cover back in 1993, before Marvels was published,” says editor Charles Kochman. The Fantastic Four have no choice but to journey into the Negative Zone, an alien universe composed entirely of anti-matter, risking not just their own lives but the fate of the cosmos! But for what purpose? And who is behind this untimely invasion?
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When an intruder suddenly appears inside the Baxter Building, the Fantastic Four-Mister Fantastic (Reed Richards), the Invisible Woman (Susan Storm Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm)-find themselves surrounded by a swarm of invading parasites. Hopefully Bruce (and the reader) won’t have to wait too much longer to find the answers they seek, as a new/familiar enemy rears their head in a fun final reveal.So what’s Fantastic Four: Full Circle about? While a great chunk of this issue consists of exposition and not a ton of forward momentum (or answers for how/why Banner needed to leave Earth), the little teases of what’s to come - as well as the overall What If…? kinda vibe at play - definitely held my attention. This book continues to be filled with huge ideas and the art team is more than up to the task of bringing them to life and embellishing upon them. As the alternate Bruce Banner describes the fall of his world, Ottley and Martin go all out with stomach-turning creature designs and a horrific spread showing the proliferation of gamma radiation across the globe. Those aren’t the only horrors delivered in this issue, however.
#Fantastic four 3 previews skin#
The mix of gray skin and glowing eyes communicate a kind of malevolence that immediately leaves an impression. Ottley and colorist Frank Martin make this introduction a memorable one, showing us a grinning, horrifying visage that feels just slightly out of step with the waking world. Recent Marvel ads have hinted that the Hulk may be receiving his very own version of Knull in the near future, and it sure seems like we get our first glimpses of him of it here. The various bloody sequences also serve to introduce a mysterious new wrinkle to the Hulk mythology.